Home

Daniel Tessy

Sound Designer/Composer, Projection Designer, Recording Artist, Educator

BIO

Daniel Tessy (he/him) is an Iraqi-Jamaican-Canadian sound/projection designer, composer, recording artist and educator. Coming up in the traditional and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), səlil̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations (“Vancouver”), he worked a huge variety of roles in the theatre industry before finding his niche as a sound designer and composer, delivering atmospheric and immersive soundscapes with background music.

In addition to all things sound-related (live tech, recording and mixing engineering, producing), his work as a lighting designer, production designer and director graced the Vancouver stages for years. His collaborators have at times referred to him as “a visionary director,” “totally genius,” a “great sound designer” and “always calm and patient…so kind and professional.” Daniel has also found another calling as an educator, teaching Sound Design and Theatre Tech classes for Capilano University. He recently relocated to Toronto, and is a Sessional Lecturer for University of Toronto’s Center For Drama, Theatre & Performance Studies. He’s been making a splash in the Toronto theatre scene, working for companies such as Crow’s Theatre, Young People’s Theatre, The Shaw Festival and King Theatre Company.

Daniel is also an active musician and recording artist, performing and releasing music in projects such as Fuzzy P, Tesstopia and DELICATESSY, as well as some session work (guitar, keyboards, bass, trumpet, synth). He frequently adapts and changes through different genres and influences with an eclectic body of work. He’s also getting into some cool film scoring work. He conducts all of his composition and recording work from a home studio in the city.

Selected Works

Sound Design/ Composition

Original Music from the world premiere of Polly Phokeev’s Kostroma, directed by Beatriz Pizano

Soundtrack for The Last Wife

Tuesdays With Morrie Piano Score

Music for Yasmina Reza’s ‘ART’

Full sountrack available at https://soundcloud.com/user-457243918/sets/the-last-wife-soundtrack?si=e9b6c9437b4f422e81cbc2f85d1f2b61&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Soundtrack for Lost In Wonderland

Soundtrack for Twelfth Night

Soundtrack for Green Thumb Theatre’s Derwent is Different by Jamie Norris, Directed by Sarah Rogers

Forest Vibes – some loosies/unused pieces

Soundtrack for TBH – a devised theatre production

GELATINOUS CUBE SONG from She Kills Monsters

full soundtrack available at https://soundcloud.com/user-457243918/sets/she-kills-monsters-original?si=44b78a11c5bb479da9df75c489eb4f5a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Spec video game music

Bass, Synth, Guitar, Drum Machine

Music for Submerged by Nicola Wanless. (2018)

Guitar, FM Synth, sound fx, drum machine

Sound Fx, acoustic guitar

Soundtrack for Hamlet directed by Kailey and Sam Spear (2014)

Guitar, loop pedal, Rhodes, voice

Music Production

All music written, recorded and mixed by Daniel Tessy**

ACTUALLY REACHING OUT – OFFICIAL MUSIC VIDEO

DELICATESSY – Waterslide – (2020)

DELICATESSY – Magic Spice – (2020)

Fuzzy P – Hoverboard Road

**Recorded/mixed by Nick Short

Tesstopia – Floating Through Space – (2016)

Session work

Nashpaints – Blindman The Gambler (2020)
Guitar
Lucky – We’ll Find the Time (2020)
Synth
Swim Team – V (2019)
Trumpet

The Plodes – Have One Of Our Nice Yellow Boxes (2017)
Electric Piano

Film Scoring

Exciting works in progress, can’t post yet!

PROJECTION DESIGN

Projection Design for the world premiere of Polly Phokeev’s Kostroma, directed by Beatriz Pizano for U of T CDTPS

All source material self-captured via 35mm stills and iPhone video camera (except where noted), vfx created in isadora. Show photographed in 35mm by me!

Source photo for above projection by Will Ellis

Brutalist collage buildings above created by UofT architecture students Vivian Nguyen, Jessica Lee and Chloe Kim

https://player.vimeo.com/api/player.js

Aformentioned brutalist collage buildings getting blown up + exploding butterflies scene

Lighting Design

True West — Sonderhouse Productions — 2018
Eight Ways to Fate, and All — UBC Creative Writing — 2018 (also directed and production designed)
The Hanging Judge — UBC Creative Writing — 2018

Full Production Credits

Contact

~dtess93@gmail.com~

~ 778-996-4453 ~

22-57 Spencer Ave Toronto, ON M6K2J7