Daniel Tessy

Sound Designer/Composer, Lighting and Projection Designer, Technical Director, Educator

BIO
Daniel Tessy (he/him) is an Iraqi-Jamaican-Canadian multidisciplinary theatre artist and technician. Coming up in the traditional and unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), səlil̓ilw̓ətaʔɬ (Tsleil-Waututh) First Nations (“Vancouver”), he worked a variety of roles in the theatre industry before finding his true niche as a sound designer and composer, delivering atmospheric and immersive soundscapes with background music.
In addition to all things sound-related (live tech, recording and mixing engineering, producing), his work as a lighting designer, production designer and director graced the Vancouver stages for years. His collaborators have at times referred to him as “a visionary director,” “totally genius,” a “great sound designer” and “always calm and patient…so kind and professional.” Daniel has also found another calling as an educator, teaching Sound Design and Theatre Tech classes for Capilano University. He recently relocated to Toronto, and is a Sessional Lecturer for University of Toronto’s Center For Drama, Theatre & Performance Studies. He’s been making a splash in the Toronto theatre scene, working for companies such as Crow’s Theatre, Young People’s Theatre, The Shaw Festival and King Theatre Company.
Daniel is also an active musician and recording artist, performing and releasing music in projects such as Fuzzy P, Tesstopia and DELICATESSY, as well as some session work (guitar, keyboards, bass, trumpet, synth). He frequently adapts and changes through different genres and influences with an eclectic body of work. He’s also getting into some cool film scoring work. He conducts all of his composition and recording work from a home studio in the city.
Selected Works
Sound Design/ Composition
Soundtrack for The Last Wife
Tuesdays With Morrie Piano Score
Music for Yasmina Reza’s ‘ART’
Full sountrack available at https://soundcloud.com/user-457243918/sets/the-last-wife-soundtrack?si=e9b6c9437b4f422e81cbc2f85d1f2b61&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Soundtrack for Lost In Wonderland
Soundtrack for Twelfth Night
Soundtrack for Green Thumb Theatre’s Derwent is Different by Jamie Norris, Directed by Sarah Rogers
Forest Vibes – some loosies/unused pieces
Soundtrack for TBH – a devised theatre production
GELATINOUS CUBE SONG from She Kills Monsters
full soundtrack available at https://soundcloud.com/user-457243918/sets/she-kills-monsters-original?si=44b78a11c5bb479da9df75c489eb4f5a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Spec video game music
Bass, Synth, Guitar, Drum Machine
Music for Submerged by Nicola Wanless. (2018)
Guitar, FM Synth, sound fx, drum machine
Sound Fx, acoustic guitar
Soundtrack for Hamlet directed by Kailey and Sam Spear (2014)
Guitar, loop pedal, Rhodes, voice
Music Production
All music written, recorded and mixed by Daniel Tessy**
ACTUALLY REACHING OUT – OFFICIAL MUSIC VIDEO
DELICATESSY – Waterslide – (2020)
DELICATESSY – Magic Spice – (2020)
Fuzzy P – Hoverboard Road
**Recorded/mixed by Nick Short
Tesstopia – Floating Through Space – (2016)
Session work
Nashpaints – Blindman The Gambler (2020)
Guitar
Lucky – We’ll Find the Time (2020)
Synth
Swim Team – V (2019)
Trumpet
The Plodes – Have One Of Our Nice Yellow Boxes (2017)
Electric Piano
Film Scoring
Exciting works in progress, can’t post yet!
PROJECTION DESIGN
These clips are all digital animations made from manipulating real-world video content (iphone camera) in Isadora. Featuring original music midi-mapped to Isadora parameters
‘Tryptich’ Projection Design concept for the U of T CDTPS Directors’ Showcase


Lighting Design
True West — Sonderhouse Productions — 2018



Eight Ways to Fate, and All — UBC Creative Writing — 2018 (also directed and production designed)


The Hanging Judge — UBC Creative Writing — 2018


Full Production Credits

